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Additional funding has been provided by The Brown Foundation, Inc. Leir, the Gerard C. The earliest material that we now term folk art was frequently utilitarian in nature, made to meet the basic demands of daily life.

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Tired of being pushed out of exhibition spaces, a group of female art students formed their own collective in The group existed for three decades, launching careers and occasionally attracting controversy. Note: This article discusses sexual violence.

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The Greek and Roman galleries at the Met rival the greatest collections of art from the Ancient World anywhere on earth. Works two, three or even six thousand years old are among the oldest in the museum. But age alone does not make these works worthy of study.

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Tapestries were ubiquitous in the castles and churches of the late medieval and Renaissance eras. At a practical level, they provided a form of insulation and decoration that could be easily transported. In addition, the process of tapestry weaving, where every stitch is placed by hand, enabled the creation of complex figurative images on an enormous scale.

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The Classical Ideal The second half of the eighteenth century in Europe saw the increasing influence of classical antiquity on artistic style and the development of taste. In the midst of a grand gallery, students copy the great works of antiquity. The Neoclassical style arose from such first-hand observation and reproduction of antique works and came to dominate European architecturepainting, sculpture, and decorative arts.

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Curator Laura Sims Peck. Photo by Robb Quinn courtesy The Warehouse. With a focus on material, traditional sculptural mediums, such as bronze, wood, and stone, are juxtaposed with barbed wire and houseplants.

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Collection: Whitney Museum. Therefore it may seem only natural that his main subject appears to be museums, and most particularly how museums present, and in doing so either consciously or unintentionally interpret, the objects they put on public display. I have worked in museums too, so of course I am interested in the subject.

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In this article, a choice of votive offerings for Artemis Hemera at Lousoi is discussed, viewed under various aspects. They are divided into three groups, according to what they may tell us about the owner of the sanctuary. The first group includes those objects which can also be offered to other goddesses.

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The exhibition features an intergenerational group of artists who explore gender beyond the binary to usher in more fluid and inclusive expressions of identity. Interested in learning more? Download the audio guide. The exhibition features more than forty artists working across a variety of mediums and genres, including film, video, performance, painting, sculpture, photography, and craft.

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